
Rates depend on the scope, usage rights, and deliverables.
I work on half-day and full-day rates, with add-ons for retouching, licensing, or expedited delivery.
Share your project details and I’ll send through a tailored quote.
You’ll receive high-resolution retouched files, and depending on the package, usage rights for social, digital, or campaign rollouts.
Optional extras, like extended licensing or priority turnaround can be added as needed.
This depends on the project type and how many final shots we agree to deliver.
As a guide:
- Lookbooks / Fashion shows: ~60–100 edited images per full day
- Interior shoots: ~20–40 finished selects depending on the space
- Product or still life work: Varies based on SKUs and styling setups
Rather than overwhelming you with hundreds of duplicates, I focus on delivering a tight, polished set of images that align with your brief.
For most projects, final images are delivered within 7–10 business days.
If you need something sooner, I can usually offer a 48–72 hour turnaround for a small rush fee, just let me know upfront.
No.
I don’t include RAW files as part of my standard delivery.
Part of my creative process involves careful retouching, grading, and file preparation to ensure each image aligns with your brand.
If you have a specific use case or retouching team in-house, we can discuss that as part of the project scope.
Yes. Absolutely.
Every project includes a round of revisions to make sure the final images meet your expectations.If you have specific visual references, colour treatments, or crops in mind, feel free to share them before the shoot, it helps guide the editing process.
I keep things simple and collaborative:
1.) Discovery: We chat through the project goals, project aesthetic, and timelines.
2.) Pre-production: I’ll help you plan the shoot, from locations, shotlists and styling direction.
3.) Shoot day: I handle all capture, lighting, and direction on-set.
4.) Post-production: I curate, retouch, and deliver your final images in a private gallery. You’ll always know where we’re at, and what’s next.
Yes.
I have travelled throughout Australia and internationally for the right projects. Travel fees (flights, accommodation, transfers) are quoted up front and kept lean. If you’re planning a shoot outside Sydney, just let me know the location and I’ll build it into your estimate.
Yes.
While my core work is still photography, I do offer short-form video (e.g., behind-the-scenes, lookbook motion, reels-style cuts) as an add-on for select projects.
If you need a full production crew or advanced editing, I can also connect you with trusted collaborators.
I recommend reaching out 2–4 weeks ahead for most projects, especially during peak seasons (Fashion Week, campaign drops, holiday periods).
Last-minute shoots are sometimes possible, but availability can be limited, the earlier we plan, the more impact we can create.
Yes.
I regularly assist with moodboards, styling references, and visual direction to ensure everything aligns with your brand.
Whether you have a full team or you’re just starting out, I can support the creative on any scale.
I use industry-standard photography and lighting equipment to ensure exceptional image quality across all projects. My kit includes professional gear from trusted brands such as Canon, Profoto, DJI and more. You can view my full Kit Bag, here.
All imagery is licensed based on how and where it will be used, including social media, digital advertising, eCommerce, print, and campaign placements. Usage duration, territory, and deliverables are clearly outlined in each proposal, with options to extend if needed.